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To Answer a Question: Why Share?

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Hi Juniper,

So please excuse me for asking this I know that this is none of my business.  I really enjoy reading your posts and I don’t want no bad blood.  But my curiosity is going to get the better of me and I have to ask.  This last post of the reading for your client, why did you post it?  I am sure you had consent and you have every right to; I am not trying to imply anything.  But I am sure you have done many readings, what made this one special enough to post?  I apologize in advance if I have crossed a line by asking.  It was really interesting and if you wouldn’t mind I would love to know.

Thank you, M

Hi M,

Very, very rarely do I get permission to share a reading on my blog or at a workshop etc. In fact I’ve only shared a few readings on my blog, because those are the ones that I was given permission to share. I ask for permission, and have been looking for folks willing to allow me to record a reading for them on my podcast, because I share. Sharing is a big part of my … deal, with certain spirits and one god in particular.

I also share readings because folks find my casting collection interesting. While I am not the first person to use a system like this, there haven’t been many people who do use something like this or who share info about it. I like the system, especially it’s adaptability and how it can be personalized. I think other people should try it out, because it’s awesome.
There are people who are working on/with their own sets having been inspired by mine and that sort of thing makes my spirits, and particular god, very happy with me.
I’ve taught a workshop on the system twice now, and in fact other people have even taken up their own versions and have taught workshops on it.
And that’s all just kinda cool.

As well, working with my bag of bits is a big part of my practice practice now and if I’m going to blog about my practice, I ought to blog about my bits and what they do.

Cheers,

Juni


The Bird by the Side of the Road

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I was already running behind schedule. Just one of those mornings when everything takes a little longer than usual. I rushed out the door and hurried down my street. If I walked fast, I would still catch the bus to work on time.

About two blocks from my house I saw it. A freshly deceased little bird laying on the sidewalk. Small, black, iridescent, with a blue head.

I told myself that I didn’t have time to stop and it was true. “Sorry little guy” I whispered as I passed him by.

Another block away it occurred to me that I could have at least tucked him into the cedar hedge by where he laid. Then maybe I could have picked him up on my way home. But it was too late to turn back, being almost to the bus stop and having only minutes to spare.

While at work that day I hoped the little guy would remain unmolested until my return trip home. I had a plastic shopping bag I could use to pick him up and bring him to the safety of my craft room.

I looked for him on my way home that evening but he was gone. Taken by a cat or urban coyote? Thrown in the trash by a neighbor? I didn’t know. What I did know is that I was wracked with guilt.

What’s the point of dying on a witch’s street if she isn’t going to take you home, give you a proper funeral and offerings, ask if you might like some of your earthly remains be made into ritual tools to be lovingly worked with, and then buried with respect? It’s my JOB to help the little beasties in death, to honour them. To give them the option of undeath as a spirit worker’s familiar or guidance to the otherside.

Feeling that I had failed the little bird, I resolved to make an offering in his honour.

My dog greeted me at the door. I took her out. Stripped off my boots and jacket. And sat down at my computer to quickly check my messages.

And there he was, on my Facebook wall! I hopped out of my chair and skipped over to where Grey was lounging on the couch. “You found him! You found the little bird!”

Grey laughed as I regaled her with my tale of having to pass by the bird, and then finding him gone later. She assured me that the little bird was fine. She had come across him on her way home from work earlier. She brought him home, gave him a ritual, took his wings and then buried him in the garden. According to the little bird’s wishes. Using our library of field guides she had identified him as a Common Grackle.

Smiling with satisfaction Grey said, “It’s a good thing, having two witches in same neighborhood.”

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The Contents of My Spinning Bag

Reading Feedback

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This is the follow up and feedback from:

Casting & Reading for a Client (Feb 2013)

Feel free to share all the feedback I give! I am an open book :) This is super long, apologies.

1. As I said, the first note (about the poison path being utterly wrong) really startled me with its immediate accuracy. I had been going back and forth with the idea of buying some of Sarah Lawless’ Aves Ointment from the Poisoner’s Apothecary for ages, and a post on her Facebook about being low in stock made me decide to order it. But as soon as it arrived, I was TERRIFIED to even touch the container – it is currently in my room, still wrapped up in the packaging, because I don’t know what to do with it (do you want some Aves Ointment…?) The fear is completely inexplicable but makes me 100% certain that this isn’t the right way for me.

2. I’ve been part of a group for a long time now that teaches a mixture of traditional Wicca, new-agey Law of Attraction/manifestation type stuff and Native American spirituality. It was a good way to start off learning some of the basics – the basics you mentioned, like calling the corners, elemental work, crystals and spells, associations, and all that. I’ve stayed part of the group because of the lovely friendships I’ve made. But the sweetness-and-light attitude leaves me feeling bogged down and guilty. I am not a sweetness-and-light person. I am a bones and dirt and mess and smoke and blood person. It isn’t fair on the group nor on myself to be there. I have no real passion for the work they do. So everything you’ve said about lack of drive, about committing, about the trappings that don’t fit anymore, all of that came at the perfect time and verbalised things I already knew but hadn’t had the heart to face.

3. I do a lot of hands-on arty things, but I always neglect to make things for my spirits. I do tend to compare myself to others and put things off because of it – I’ve wanted to make a crow fetish for ages but let myself get intimidated by other people’s talents and the expectations I’ve placed on myself.

4. Fear is a big inhibitor of my practice. Fear of saying the wrong things, doing the wrong things, being unworthy or unacceptable. It’s bollocks and it prevents me from doing the things I need to do. “Pick a line and commit” says it all really.

All in all, the reading was better than I could have hoped for in every way – not overly mystical, more like being bitch-slapped by a really good friend who knows me well and knows all the ways I tend to bullshit myself. Thank you so, so much.

-

UPDATE:

Everything I said here still holds true – I have started the process of paring down what I do and the way I do it, what I use and what I say, and finding a way to smash more of myself into my practice. It’s a lot harder than I thought it would be! But I can truly feel that it is what needs to be done. And I have been gifted with some important and very clear responses from my spirits since I’ve been doing so. Right now there is water and tequila on my altar for the ancestors and spirits, there is dirt on my feet, and there is a new crow fetish made and waiting to be consecrated and offered as a home. And all of these things have been helped along by the advice you gave me.

Registration for the Sabbat is now open!

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Click here to go to the registration page!

The purpose of the Sabbat is to provide a forum where practitioners and other interested persons can come together to learn and share information relating to non-Wiccan witchcraft and its associated practices. This is achieved in part by performing rituals and workings to facilitate each individual’s personal experience of these practices, be they newcomers or experienced witches. This is also facilitated by discussion, story telling, and teaching each other.

An “intensive weekend” is slightly different from a typical festival or gathering, just as a witches’ sabbat (or sabbath) can be different from a typical neo-pagan ritual. Here, we focus on ritual, magickal working, spirit work and the sharing of knowledge. While there will be some free time to socialize and relax, it is not the purpose of this intensive weekend to celebrate late into the night, to dress up in costumes, or to tell tall tales about dragons. This weekend is for the serious practice and study of witchcraft and to provide a thoughtful and thorough introduction to witchcraft for newcomers. The time is also meant to provide a place where experienced practitioners can seek what lies beyond “Witchcraft 101.”

At the Witches’ Sabbat at Raven’s Knoll, all paths and traditions are automatically valid and we welcome all comers. We encourage you to come as a student, teacher, priest/ess, shaman, witch, or seeker. The only requirement is that you be open-minded, thoughtful, and serious.

Youth

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I am turning 33 at the end of the month. So, this may very well be my last “stop being such assholes to us young Pagans and Witches” post ever. Rather than write something angst ridden, I have decided to offer some food for thought. Also some ammunition for those young-uns coming up behind me. Next time some “Elder” starts treating you like a mentally challenged toddler for being in your twenties, throw some of these factoids at them.

  • Starhawk was 28 when “The Spiral Path” was first published.
  • Janet Farrar was 21 when she received her 3rd degree initiation.
  • Margot Adler was 33 when she published “Drawing Down the Moon”.
  • Maxine Sanders was 18 when she was initiated in Alex Sander’s coven.
  • Doreen Valiente was 31 when she was initiated into Gardner’s coven and shortly after re-wrote the Book of Shadows.
  • Robert Cochrane was 35 when he died.
  • Isaac Bonewits was 23 when he published “Real Magic”.
  • Chas S. Clifton was 35 when he started writing the column “Letter from Hardscrabble Creek”.
  • Dion Fortune was 29 when she was initiated into the London Temple of the Alpha et Omega.
  • Vivianne Crowley was 18 when she was initiated into the coven of Alex Sanders.
  • Selena Fox was 22 when she started leading public rituals.
  • Oberon Zell-Ravenheart was 26 when he started the “Green Egg” magazine.

And that’s only to name a few.

The Hedgewitch and the Hurricane pt 1

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As we huffed and puffed our way up the soggy path to the Ve, carrying bags, boxes and a large wicker chair, Grey and I joked about how this is exactly the sort of thing they don’t tell you in Pagan 101 books. The behind the scenes work you never think of when attending a ritual. Carrying a massive, heavy chair over swampy ground while being eaten alive by all manner of bugs.

After Grey left me alone in Ve, I set about setting up. Laying out the altar, lighting candles, all that stuff. I must have exited and then entered the Ve a dozen times during my preparations. At first I properly curtsied and said “Hail!” each time. Then after about the 4th rendition, I switched to my old standard, how I greet the spirits that reside with my own craft room “Hey guys!” or “Back again” or “Knock knock”. But finally I simply gave it up entirely. They were watching, those gods in the poles. They knew what I was up to. I chatted at them the entire time, telling them every silly little random thought that entered my mind as I worked until there was nothing more to tell Them. With my preparations complete, now began the wait.

It’s a rather uncomfortable thing, to realize you have to pee while in the woods, outside a sacred site, with no restroom nearby. I moved into the bushes as far away from the Ve as I dared to go, and found myself wondering how many volvas and the like throughout history had snuck off to empty their bladders before the folk arrived for a mind-blowing ritual? I glanced sideways at the god poles standing tall, barely seen over the weeds I squatted in. I grinned up at Frig’s pole. “All of them, at some point, I bet!” More things they don’t tell you about, or they simply don’t think about.

The sun set and the mosquitoes came out. Birds sang and the small creatures of the forest skittered about in the tree limbs. I pondered the stuff they don’t tell you as I stood outside the Ve, leaning against the weapon rack, smoking a cigarette.

My black princess satin robe with black eyelet over-robe had bell sleeves that had been hemmed short to avoid catching fire – one of the things they DO tell you. But the hem of the robe’s skirting was rather long. Perfect for prancing about in a temple room, wearing shoes (the better if heels) but barefoot or sandalded in a, outdoor Ve? Not so much. Ah well, I would just have to watch my footing and hold the skirting up a bit. Nothing to do about it now. Not with the folk soon to be on their way, and me squeezed into a fancy robe that is so snug it takes a coven to get me in and out of it.

One thing they don’t tell you about is the wait. Ritual space has been prepared. Candles have been lit. Incense burning. The witch has been carefully squeezed into her elaborate robe. Now, the wait.The wait can ruin you if you let it. Butterflies begin to form in your belly. The what-ifs reach insidious tendrils into your mind, spreading fear and doubt.

The wind will blow out the candles. The bugs will be so ferocious that it will ruin the mood. You’ll trip over that stupid robe. They are all going to laugh at you. Frig will refuse to ride you, refuse to answer questions, refuse the offerings. The high seat, which is really just a wicker chair, doesn’t look like a high seat, it looks like a wicker chair.

The wait will ruin you, if you let it.

So I didn’t focus on the wait. I focused on the coming storm. I could feel it there, gathering at the edge of Ve, gathering around her newly raised god pole. I could feel it gathering at the edge of my own mind. The storm that I was to call, to invite, to invoke, to summon, to funnel into my own head and unleash within.

I finished my cigarette and stepped back into the Ve. With careful steps I approached Frig’s god pole. I wrapped my arms around the pole and rested my head against it. I repeated each step of the ritual out loud, three times.

I knew she was listening. The storm was gathering. I whispered words to her that I would repeat later during the ritual: Frig I ask you to do this thing, not for my own ego. Not so I can impress my friends. I ask you to do this for the folk. These folk who honour you. Who study and research and read the lore to learn about you. These folk who talk about you and share your stories. These folk who sing your praises and give offerings to you. These folk who have gathered here this weekend, who have carved this pole and raised it. Do it for these folk who seek your wisdom and guidance. They deserve it. Please.

The gathering storm is even stronger now. I can feel her within the god pole I lean against. Waiting, watching. I hear steps coming down the path to the Ve. Deliberately loud so as not to surprise me. “That’ll be Auz” I whisper.

Amusement and mischief run down and through the god pole. I find myself grinning. “Shall we make him wait then, Lady?” I ask.

Yes. She seems to be a playful mood. So we ignore the steps and wait until he politely clears his throat. With a final pat, I step away from the god pole. It’s time to take our places, the folk will be coming soon. The ritual to begin.

I am clumsy and awkward throughout the first part of the ritual. The storm is building and it takes away my ability to focus on the here and now. Grey acts as my handmaiden and without her I would have been lost. My concentration is on the coming storm. I drop something once and another time find myself accidentally reaching into the thrunble, my fingers touching the red-hot incense coals, my fingers come out black and sooty, yet they feel no heat. No burns, though there should have been. Her storm is building and she is protecting me.

I step up to the altar and make my offerings, promising more at the end of the ritual if all goes well. I entreat her. I speak the words I had so carefully practiced before. Now I am in the calm before the storm. My ability to sense energy and the unseen has become deaf-blind. All I feel is a nearly painful anticipation.  As Gandlaf would say: the deep breath before the plunge. I am told later by the folk that they felt the energy in the Ve pulse outwards with each sentence as I entreated her and begged her participation. I sense nothing. I feel nothing. If she has acquiesced to my request, I do not know.

I step up to the god pole anyway. I rest my hands upon it and lean my forehead against the smooth wood. Touching it with my third eye. I breathe. Grey teaches the folk my power song, to help me enter into trance. They begin to sing.

I find the storm again, gathering around and within the god pole. Adjusting my stance, holding up the hem of my damnable robe with one hand, I begin to circle the god pole, wrapping my hand and arm around it for balance and connection. After the first couple of slow and careful rotations I begin to worry. I’m totally going to trip. Earlier Grey had warned me to be careful as I spun around the pole, the last thing we needed was for me to fall and brain myself on Odin’s pole standing right beside Frig’s.  I’m uncoordinated in trance. One reason why I generally don’t do trance-dancing around the fire, I simply dance. Ah but walking, and this spinning around a pole or tree, this works for me, so long as I don’t trip. I bite my lip in concern.

Just then I feel a hand cover my mine, clasping me gently to the pole. Steadying me. Guiding me. She wasn’t about to let me fall. Trustingly I spin. I spin and I spin around the pole widdershins. Gradually taking faster and firmer steps.  I close my eyes and focus on the storm within.

I have no sense as to whether my steps take on a rhythm. I do not think they matched the odd beat of the song the folk sang to me. The words of the chant are difficult to wrap your mouth around. The chant doesn’t rhyme, the meter doesn’t quite match up. But it has certain words that can be triggers for me and a certain urgency needed for the occasion. An odd and awkward song for an odd and awkward witch.

I breathe deeply. My feet pound the earth. I spin around the pole. Chaos rages in my mind, a swirling mess of a thing. Unfettered and unhinged. Thoughts cannot fully form before they are swept away in the storm. Ring-a-ring a-widdershins, whirlin skirlin widdershin. The storm inside builds momentum, matching the quickening pace of my feet. I spin at a pace that feels dangerous. I am held fast by that spectral hand. A greater storm, a hurricane, rages above and within the god pole itself. My insignificant little human mind does it’s best to match, a tempest in a tea-cup. Here we go round the mulberry bush, so early in the morning. I am stretched thin, pulled by the spiraling forces outwards. My consciousness swirls at the edge of myself, expanding outwards. I spin even faster, the chanting is louder. I throw my head back, then down. Ring-a-round the rosie, pocket full of posie. The sound of the folks chanting has become a distant thing, overshadowed by the rushing in my ears. My little storm slips just beyond the confines of mind and body, swirling at the threshold, neither without nor within. It brushes against the hurricane that is Frig. Electric. Wild. Not as force of nature, but a force of the multiverse. I can comprehend her as well and an ant can understand my foot. I could just let go completely, surrender. My little storm would be swept away into the maelstrom like a crow feather in a hurricane. Ashes ashes we all fall down.

Enough. I’m not sure which one of us decides. But it is enough. I halt, bringing my other arm around the pole, facing it again. Returning to my original position.

I am not dizzy.

I have reached the calm after the storm. After the rain has washed away the detritus, the wind has blown away the debris. Now the smell of freshness after the rain. the brilliant quality of sunlight after the clouds move on. The clean crisp feeling in the air after a summer thunder-storm has passed by.

Perfect, painful clarity of mind. A spreading out and in of consciousness. With my now heightened senses I am aware of everything within the Ve. Sharp as a tack, clear as a new day.

This is what lies beyond ecstasy. When one has not strayed from their body.

I am a clean vessel. A hollow bone.

Grey moves towards me silently and gently takes my arm. I disengage from the god pole and allow her to lead me to the high seat. I land in it pretty hard. Such an uncoordinated witch. Ah, well.

Grey teaches the folk the next song. The chant to call Frig within. For a moment I lean my head back and open my eyes to gaze at the stars. Thier beauty is to grounding, to real, so I close my eyes again and turn my focus inward once more.

As the folk take up the chant, Grey begins to dress me. A shawl, draperies, a dish in my lap, spindle in hand, distaff in the other, and a veil over my head. I am only dimly aware of this happening. Instead, I am reaching for the door.

Somewhere, deep inside, where the mind, the soul and the body meet there is a door. A quiet little backdoor. I do not know if everyone has this door. I do not know if anyone can find it. I do not know if everyone could open it. I do not know if anyone could close it back up again. I do know it wouldn’t be safe for most people to try.

I can’t tell you where to find it. I was shown the backdoor by a very different god than the one who I was about to invite in.

Reaching back, I find the door and cautiously open it. Standing on the threshold, I call out an invitation. This way, this way, here I am. Come in and be welcome.

Grey ties a cord of red linen (that I have spun with my drop spindle) around my neck, runs it the length between the high seat and the god pole and then ties the other end around the pole. An umbilical. A pathway. A noose. I hang from the god pole and wait.

Are you there Frig? It’s me Juniper.

I step aside from the backdoor and press myself against the very wall of myself. Making room for her. I wait. I am unsure if she is coming. I have never invited this god in before, never been her horse, her hollow bone. With others, there was a rush. An entitled barging in, helping themselves. Pushing me aside so that I have nearly no control, no awareness, little say in the proceedings.

Frig was so gentle, so delicate that I wasn’t sure she had come at all…until she laughed, using my voice. A raw, rough cackle of a laugh escaped my lips. It startled me and I think it startled Grey who was standing beside the high seat, reciting words the entice the goddess.

I felt here there, filling me. She didn’t shove me down to some half oblivion. She didn’t put blinders over her horse’s eyes. She let me stay aware and awake. Pressed up against the wall of myself, out of way but welcome.

Grey steps away from the high seat and assumes her position between the seat and the side altar. She says something, but I can’t recall what it was. I was preoccupied with the hurricane. Getting used to her in me, as she was getting used to being in me.

My mouth worked silently a few times. My tongue rolled around in my mouth. It’s a strange thing, to stand back and witness another get accustomed to using your face. It was only a few seconds, but it seemed like an eternity.

“We should say something, to get the ball rolling.” I suggested.

I could feel her consider what to say.

“What do you WANT?” tore from my throat. Still rough, still getting used to using my voice.

I think Grey was taken aback. I think Frig found this incredibly amusing. My face contorted into a rictus grin. I was glad the for the veil.

Grey asked Frig something. Asking permission to go ahead with the questioning.

I think it took a few moments to get a response, as at that time she decided she wanted use of my hands. Since she was being such a gracious guest and had actually asked politely to have use of my upper body, I agreed that would be fine.

She waved one hand around, inexpertly. “Very well”

So it began.

My memory of the actual questioning is spotty. Dream like. I remember some parts very clearly and others not at all. For example, at some point someone gave an apple as an offering. I have no memory of this at all. I only know an apple was given because after the ritual was done, I found bits of apple stuck in my teeth. I asked Grey and she confirmed; someone had indeed given an apple.

Some offerings I remember and others I do not. In some cases I remember who gave what, but mostly I’m unsure which person gave which offering. I know that she liked mead more than ale or beer (but she still really enjoyed the ale and beer). Frig was very interested in hand/home-made items, she seemed to approve of them quite a bit. One person gave a very personal and valued object, a true sacrifice, and she was deeply touched.

I also learned that Frig loves plums. One of the folk gave a plum (along with something else). She approved of the gifts, answered the question and then as the person was going back to their seat, Frig suddenly wanted more plums. She was about to open my mouth and demand more plums. In an instant I had to go from polite host leaning against the back wall, idly watching the proceedings, to stern little Hedgewitch. “No. Not right now. People are waiting to ask their questions. I’ll let the whole world know you like plums, there will be more plums in the future.”

Can you tell a god “NO”? Do you have the strength of will to tell a god, who is currently inside of you “no”?

To be continued …

The Hedgewitch and the Hurricane pt 2

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Click here for the first part, if you missed it.

Can you tell a god “NO”? Do you have the strength of will to tell a god, who is currently inside of you, that they can’t have something they want? Knowing that if you pissed them off enough, that god could tear your mind, your soul, to pieces in an instant?

This is where is gets really, truly dangerous. Bloody, stupidly dangerous. I’ve heard about it, read about it, seen it with my own eyes. While it is something that may be spoken of and written about, it seem that it is one of those things they don’t often tell you about. Or maybe it is one of those things that people tell you about, but many folks just don’t listen.

People acting as a horse for a god who demands more and more alcohol, leaving the horse with alcohol poising by the end of it.

People who let a god in and awaken the next morning sticky, naked and laying beside someone who they never would have consented to have sex with. Wondering if a condom had been used, wondering what had happened, and if that was the only person.

Gods who once in, refuses to leave until a certain offering is made to them, causing the people in attendance to scramble around, possibly having to rush to a store or other person’s house to find it.

Gods who once inside and approached by someone they dislike, or by someone who lies to their horse’s face, and are then kicked or hit. Much to the horror of the attendees and the horse.

The gods are dangerous. They can destroy you in an instant. Inside of me, brushing up against my mind and spirit, Frig could have dealt me serious damage with a single lashing.

The god s are powerful. I met a god once who upon seeing me torn asunder in the underworld, put me back together again with the ease of a well practised father reattaching a doll’s head to it’s body. And then demanded a price for his services.

I know of someone who once cut down a tree sacred to the gods, by mistake. Shortly afterwards he died suddenly of a brain aneurysm. His spouse was driven insane with grief.

I know of someone who lied under oath to his elders, swearing by Odin as he did so. And was shortly after  hit by a truck, his body broken. While he laid in traction, his wife left him. Being in the USA, the hospital bills caused him to loose what the wife did not take with her. Later, he confessed his lie to his elders and over the next while, found love again, found a good job and rebuilt his life.

I know someone who once promised Freya that she would sacrifice a rabbit to her. A difficult gift for a vegan. She put it off, and put it off. Until she started dreaming of rabbits. She poured an expensive wine into a beautiful wooden bowl, asking Freya to accept this offering instead. The next morning the bowl had been split in half, where it lay, the wine ruining the altar cloth, as flies buzzed around it.

More than once, I have been penniless, jobless and living under another’s roof and hospitality. Exhausted, depressed and feeling hopeless. Walking on blistered feet, desperately searching for a job in a strange city. A homeless man with one black eye swollen shut, a long grey beard and a cane asked me for spare change. I gave him half of my last dollars. And shortly after found a job, a home and my way in a new city.

It’s one of those things people don’t like to talk about. How the gods are bigger than us. So much MORE than us. How dangerous and difficult and capricious and troublesome they can be. We want the gods to be our friends. Many people i know want to feel as if they are on equal footing as the gods. They refuse to consider having something in universe bigger and stronger than they are.

We want an all-knowing, all-loving, omnipresent super goddess who changes everything she touches and everything she touches changes. Who never, ever, gets angry with us, because she is beyond anger, or hate or spite.

Never mind what the lore tells us. Gods who rape. Gods who kill. Gods who lie, cheat and steal. Gods who lash out in jealously. Gods who betray their kin. Gods who impulsively give up their sword for a nice piece of ass, and thus must fight the battle at the end of all things with an antler in hand.

Those are just myths, of course. They don’t mean anything. Except when they do.

I try to talk to people about how the gods are so powerful, so awesome and greater-than. How terrifying they can be. I’m usually just misunderstood. Perhaps I do not articulate it well enough. Perhaps people just don’t want to think about it.

Perhaps most people never experience these things, because most of us never move beyond the basics. Most of us will never invite the hurricane in our heads. Most of us will never be torn apart by nice little birdies in the underworld and need to make a deal with the Master to get put back together again.

Do you have the balls to tell Frig She can’t have any more plums? Do you have any idea how much balls and sass it takes to do just that? Do you have any idea how stupidly dangerous it can be?

But …

I’ve seen it before, read about it and heard about it. One of those things they do tell you about, sometimes. If during such a rite, you just start giving the god anything they demand, they will keep demanding. Rituals derailed as everyone scrambles to find more plums, and then have to sit there for an hour as they watch Frig eat a bag of plums. Holding a horse’s hair away from her face while she pukes up a belly full of plums. You can ask them to take away the drunkenness, or make sure the horse doesn’t get sick from eating a pound of plums. Sometimes they will do just that.

It’s a risk you have to be willing to take when you do this kind of work. The chance you might find yourself with battered and bruised feet, a sick stomach full of plums, a wicked hang over, a STD because the god riding you decided to screw someone. You also have to be willing and able to say no, if you can. Maybe they won’t listen, maybe they will get pissed off and lash out, maybe they will just leave, maybe you’ll ruin your relationship with them for good. Maybe you’ll wind up a poet, a witch, a madman or dead.

You have to be able to calculate the risks. If you aren’t willing to accept the risks, don’t do this kind of work. It’s okay to decide it’s not for you.

So I told Frig no more plums. Thankfully she was okay with that. Such a nice goddess. The next person came up to ask their question and she was back on task, the plums forgotten. Thank goodness gods are often easily distracted. No more mead for you…here have a shiny thing!

Sometimes she was more present than others and sometimes I was more present than others. Hence the spotty memory, I suppose. I remember some of the questions and not others. Like the offerings, in many cases I remember a question but not which person asked it. Or I remember a person coming up to the high seat, but not the question they asked.

Once a person had asked their question, they chose a few pieces from my casting collection and placed them in the bowl in our lap. Together we read the augry. I know my set well enough to recognize the pieces by feel, even the polished stones. A very interesting thing, that I will ponder and utilise, is that she had a slightly different take on the meanings/symbolism of a few of the pieces. Her impressions of them were similar but not quite the same.

There were cases where only one piece really mattered, others where each piece chosen mattered. Cases where the pieces only reinforced what she already was going to say. Cases where she read the pieces and then added something else as well.

Watching Frig use my set was very educational and I’m glad I chose to go that route. Typically, you don’t use a divinatory device during such a rite, the god simply answers the questions. They already know the answer. However, my set is very important to me, and a major part of my practice. I figured that if she wasn’t interested in it, she would ignore it. Her willingness to use it, her approval of it, and her showing me different interpretations of some of the pieces was very rewarding!

A lot of folks had a hard time finding the bowl in our lap. It was very dark. I’m told that the darkness surrounding the high seat grew even deeper whenever Frig was strongest in me. A few people struggled to find the bowl, a couple missed it entirely, but she was patient. At one point she picked up the bowl and waved it around a bit, I think to help the questioner find it.

One piece from the set kept being chosen, over and over again. Thorn. The little stick of hawthorn, shaped like a stang. Sometimes she ignored the piece and sometimes she read it. I began to worry the bag wasn’t be shaken well enough, so in response, she pointed one imperious finger at Grey and commanded her to shake the bag. Still, Thorn kept coming up. A message for me? A message for the group? Both? A strange coincidence? I do not know. More to meditate on. In my set Thorn is used to symbolise witchcraft, magick, the cunning arts and so forth. Though amongst a bunch of Heathens, Thorn could take on a slightly different meaning.

Eventually, everyone who dared to had come before the high seat. Grey asked Frig if she was done? In response, she knocked my stang/distaff over. Grey and I had agreed that if at any point, I needed the ritual to end, I would knock down the distaff. If I could, if I had enough control to do so. I don’t recall explaining this to Frig, but being in my head, she knew.

So they thanked Frig and hailed her. Then chant asking her to leave me was sung. Grey cut the cord and began to remove my draperies. I lost all thought and consciousness as she left me. She went as gently as she came and it almost felt like dozing off on a lazy summer afternoon.

I heard my friends calling my name. Calling me back. I struggled toward the sound of their voices, slowing spreading myself back within myself. Filling my own vessel once again. Suddenly, Grey pulled off the veil I wore. It was like when your mother rips the blankets off the bed, to wake you, on a cold morning. I must have made a very unhappy face! It was less than pleasant and suddenly very cold. Mental note for next time: always tell you handmaiden to SLOWLY remove the veil! However it did the trick, and with a few groans and stretches I was back properly in my body, my mind fairly settled. I was back amongst the folk.

“Hey Juni” Grey said tenderly, as she bent over me.

“Hey” I said back and leaned forward for a hug.

Then I said; “I have to pee.”


KKG

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Last weekend I attended KKG at Raven’s Knoll. We fished, drank, danced, laughed, went to awesome workshops, did archery and had a great big feast. Each year something epic is burned, a wicker bull or boar. This year it was a wicker man. Grey and I were lucky enough to assist with the main ritual, which had some pretty heavy Hedgewitch influences. Grey and I carried stangs, Grey’s was to represent the plant harvest, mine the meat harvest. We laid the compass and raised a hedge instead of the usual neo-pagan stuff and people seemed to really like it. Here are a couple of pics of myself carrying the stang before the wicker man as he burned.

 

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Taken by Gina

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Taken by Dan

Changes Coming

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Hey folks!There are some changes coming to the Hedge over the next couple of weeks.

We are moving to a new hosting service. One that is powered 100% by wind power and works to be much more earth friendly. Also they are a little bit cheaper than what what I am currently paying and are in the same time zone, to better to get support that way. You likely won’t notice the changes, other than possibly a couple of days of the site being down as they migrate the domain names (walkingthehedge.net & stonegatepodshow.net) and the content.

One that is done, I am closing down the forum and social aspects of the Walking the Hedge website. It doesn’t really get used very much (who uses forums anymore anyways?) and I’m constantly fighting spam. You will still be able to submit articles, links, images and essays and such to the Hedge, those will be staying. The articles, essays, rituals, photos, art, podcast and mp3 files will all stay, no worries there!

I will also be adding some new content; articles, podcast episodes and such once it’s all moved and stable.

My blog will remain and carry on. Now that winter is coming, I will have more time to write. Yay!

Things like Twitter and tumblr will not be affected.

The Standing Stone & Garden Gate podcast website will stay up for people to listen to. I cannot promise any new episodes though.

If you have a blog that is hosted by me, you will be migrated over as well, and other than there being a day or two of the site down while it’s moved, nothing will change for you. (I’ll send you and email with further info)

I might change up some of the look of the site and blog and the navigation a bit, just to keep it fresh and easy to tour around. Also to help push the “crowd source” purpose of Walking the Hedge.

To make up for the loss of the forum, I might allow for a more in-depth comment system on the various articles, episodes, blog posts etc.

Cheers!

Juni

Gifts

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It started in July 2012 at the first Hail and Horn Gathering. At the end of the weekend the folk came together to discuss how the event went and to plan for the next year. Auz and Eric, the organizers, were clearly exhausted. They had given a gift of time, work and themselves to the gods and community. As it was the first year for the gathering, they had done almost everything themselves.

The folk decided to honour Frig the next year, dedicating the gathering to her, raising a god pole for her in the Ve. As plans were made, I felt the old tap on the shoulder. Impulsively I spoke up and offered to lead a workshop on spinning and weaving, very appropriate for Frig.

A gift back to Auz and Eric. One less thing that they would have to do. One less duty. A chance to catch a break or do something else. Also a gift of shared knowledge to my community, and an offering of service to the goddess.

As the year went by I was asked to lead the esoteric ritual as well. Then given the honour of helping in a small way during the pole raising ritual. More gifts to my community and the goddess. A gift, or vote, of confidence in my abilities from my friends.

So I planned and plotted. Wrote ritual and workshop. I spent quiet time in the ritual room strengthening my relationship with Frig.

Simple drop spindles were made and roving was ordered to be given out during the workshop. The workshop went well, we discussed the history of spinning as we dropped our spindles, over spun yarn and got tangled.

During the pole raising ritual I offered to Frig some yarn I had spun as well as one of the drop spindles that I had made. But it seems she wanted more, as during the ritual my favourite (and first ever) drop spindle broke, the hook falling off.

There wasn’t a chance to give it to her then and honestly, I didn’t want to. I stood there watching others take their turn before the pole, holding my spindle, wishing that I could ignore the obvious sign that it was being asked for. Then Grey approached the pole and poured out her offering. She stepped back and went to her knees. Looking up at the pole she begged Frig for my safety during the seidr/hedgewitch ritual to come. That the Goddess would ride me gently. Ah, my sister by choice. How did I not weep as she supplicated herself before Goddess and community? Silently I promised Frig the spindle at the end of the hedgewitch ritual.

You can read about the ritual here and here. It went well. Frig rode me gently. Grey guided us and myself through it beautifully. The goddess got my spindle, I broke it over my knee and placed it before her as Grey lead the folk through the closing of the ritual.

The next week I was back at the Knoll. Gypsy, Grey and myself went up to do some prep work for the Witches Sabbat. Gypsy and I ran into the little town nearby for supplies. While wandering slightly lost, looking for a liquor store, we happened by a junk shop. Out side stood the proprietor having a smoke. And beside him; a small parlour style spinning wheel. Gypsy is a good man. When I shouted “spinning wheel” he put on the breaks and backed into the parking lot.

I picked up the wheel for $50.

At a thrift store I found a basic frame/rug loom. We found many great deals on things for the Sabbat as well but that is another story.

20130720_105727Once fest season was winding down I could finally give “Molly” the wheel the proper care and get her into working condition. She seems to have been meant for display more than actual spinning and it took some head scratching to put her together right. She spins just fine, if a little awkwardly. I am still tweaking her tension/break though. But you don’t look a gift horse in the mouth and I know that Molly is a little nod of approval from a certain goddess. As such, the very first little bit of yarn I spun on it went to her.

I read somewhere once that the first thing you make on a wheel or loom should be a gift. It made perfect sense to make something for Grey. A gift for a gift.

Throughout 2013, Grey had been there for me in many ways. Helping to plan and run workshops, events and rituals. Watching over me as I played horse for gods, left my body on journeys and performed trance work. Also all those things that friends do for you, from giving you a shoulder to cry on to pointing out when you’re being an idiot.

She is also a tireless worker in the community. One of those rare people who can be counted on to get up early to clean toilets and refill toilet paper during a week long festival that boasts hundreds of rear ends. Someone who works 5 days a week at a desk and then goes up to pagan land nearly every weekend to help out in any way she can.

… and in all honesty, I knew she would like whatever I made her! An audience that is easy to please is the best audience.

I asked her what she wanted and she asked for a shawl. Awesome. A grey shawl. Ugh grey? How was i to make an interesting grey shawl? So I decided to use texture and various shades of grey.

20131214_124449I began spinning in August. I began weaving in September. I had to spin more as I wove. It cam off the loom in December and I began crocheting. The night before I was to give Grey the shawl I was desperately tying the fringe.

I learned as I went. Started, tore it out and began again. I used very basic methods. Ran out of yarn and had to spin more. I didn’t have a concrete plan but felt it out as it was coming together. Yet still, It turned out very nice and Grey loved it!

20131214_124527I worked with the tools that I had. I am still a beginner at spinning and weaving. I have been crocheting for years but still have only ever bothered to learn the most basic stitches.

The shawl is imperfect. Like the chain of gifts that came before it.

We do the best we can.

We plan events and they don’t always go as we had conceived. We find ourselves exhausted and overwhelmed but we persevere.

We write workshops and get asked questions we hadn’t thought of. We forget certain points we had planned to make. We stumble over our words.

We lead carefully crafted and thought out rituals. And trip over too long robes, knock things off the altar and burn our fingers.

We work hard. We learn from our mistakes. We help each other achieve.

We look back and beat ourselves up over the things that went wrong.

We celebrate the things that went right.

We give imperfect gifts to our community, our gods, our spirits.

There is always someone better. More proficient. More knowledgeable.

It’s easy to tell yourself that your best isn’t good enough. To look at the beautiful altars that other people create and think “I could never make something like that.” To look at ritual items that others make with their own hands and skills and become discouraged, convincing yourself not to try as you can’t do as well as they can.

It’s easy to watch someone else lead a ritual, or workshop and think how you could do it better. Or how you could never do it as well as they did.

It’s easy to find fault with festival and event organizers. They should have done this, or that. Or to become so overwhelmed with the sheer amount of work involved to never get the courage to try.

It’s easy to tell yourself that your meagre offerings are not as worthy as some overpriced bottle of tequila in a glass skull that you saw someone else gave their god.

It’s easy to overlook a rickety old spinning wheel. To think this couldn’t possibly be a gift from a god.

It’s not perfect. It’s not good enough. I’m not good enough.

It doesn’t matter.

Do it anyway. Write it anyway. Make it anyway.

Support those who try. Give them the gift of help and encouragement. Allow them to be imperfect.

Learn as you go. Tear it out and start again.

What you have to offer may not be enough. It certainly isn’t perfect.

Give anyways.

Judge and Jury

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Last night I dreamed. I dreamed that I stood shackled in irons within a massive and ornate hall. A council of Elders were to be my judge, jury and executioners. They were also my accusers. They stood before me resplendent in velvet medieval dresses, sarongs with Celtic designs upon them, and silken white robes.
Behind me chaos lurked. A roiling mass of black and green and grey, curious spirits and dead faces peeked out from writhing the madness to watch the proceedings. My birds perched on my shoulders. My other spirit friends crouched or stood by my side.
One of the Elders stepped forward. She wore a moonstone and silver circlet in her greying hair. A cord of three colors wrapped around her hips below a rotund belly. Every finger adorned with rings. She pointed one manicured nail at me and laid out my charges.
They were not comfortable with me teaching. How dare I spoil such sweet, innocent, kind young people by showing them how to curse, how to dance the mad dance? To bring them into rituals that were unscripted, that did not follow the standard neo-pagan format. Rituals that catered to the spirits we invited. Rituals where blood may be spilled, psychoactive plants may be used. Rituals that could last all night. Rituals where we swore and laughed and got our hands dirty.
I was, at first filled with a rage so great that I could not speak. Then suddenly, He stepped out of the chaos and stood behind me. Rotting flesh hung from gleaming Skull. Embers glowed in the recesses of His eye sockets. The shattered antlers of an Elk who has fought and won during the rut loomed over my head and He bent to whisper in my ear.
“I like their rites, their gifts, their poetry. But … it pleases Me more to see a pretty young thing drenched in sweat, wielding a knife while shouting ‘Stay in the fucking triangle or I’ll cut you!’ at the top of her lungs.”
A pelvic thrust from behind pushed me forward. I faced the council. “If we are to deepen and grow as a genuine religious body and not just a bunch of hippies and outcasts LARPing … then we need less cutesy, fruity, whitey lighty, priestesses and more real witches and spirit workers. Ones who are attractive and well spoken enough to still be approachable.” I said, “Really, every time I teach someone how to coat a skull with menstrual blood I’m doing the community a service.”
The elders recoiled in confusion.
One of my birds took flight and landed on the shoulder of the moonstone priestess. He turned and pecked out one of her eyes. As he did when he was first teaching me how to look and see in the underworld. She did not react to the creature as he swallowed her eyeball, she did not notice the gore upon her cheek. “I don’t understand” she said.
I opened my mouth to speak but He interrupted me. “They cannot understand. She will never see. It doesn’t matter.”
My bird returned to the air, and flew towards a door that appeared to my left. The chains fell from my wrists. I walked out the door.

To Answer a Question: Wicca

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(excerpt from a conversation on the Witches’ Sabbat Facebook Group page)

Out of curiosity, Juniper Jeni, what is the difference between inner circle lineaged Wicca practiced in private covens and the “Wiccan-styled neo-paganism-light”? Is it that there is more scholarship and rigour?

*
Oathbound secrets!
But seriously, what we have to keep in mind is that what we find in books about Wicca (which heavily influences the overall pan-pagan practice) is largely dedicant work, initiate level, and first degree workings. So it’s all the beginner stuff, the foundational materials.
For example, ask most Pagans and solitary Wiccan WHY we call the quarters and what exactly the watchtower are, what the elements are in the circle FOR. The most typical answer is vague and along the lines of: “Because that’s how you do it!”. Yes darling, but why?
Another example. Drawing Down the Moon, followed by the Charge (and then the ritual, as written in those books, often moves on from there). As a spirit worker, I’m sure you know that it seems wasteful to call a goddess into you for the sole purpose of delivering a scripted monologue. Looking at this with a critical eye of an experienced esoteric practitioner, it’s obvious that there are other things that go on after the Drawing and before the ritual continues with its seasonal celebrations or whatever.
So yes, inner court traditional Wicca has a lot more content than the average pagan might be aware of. There is a lot more scholarship and rigor in training, research and the actual practice within ritual.
As well as the personal spiritual upkeep on your own time. Wicca is a religion of being clergy. The degree structure exists to train you be a priest/ess of the Lord and Lady of your Tradition/Coven. As witches and spirit workers, we know that there is a lot of upkeep and work involved with creating, building and maintaining a relationship with deity. All to be considered and acknowledged by the deity as one of Their priest/esses. Far more work than one can do 8 times a year in middle of seasonal rituals and fertility rites. Far more than can be done during esbats once or twice a month celebrating lunar tides. We all know that true devotional work requires often daily practice.
Have you ever noticed when reading Wiccan rituals, that it seems as though the setting up (purifying, circle casting etc) and the tear down, lasts longer and is more labor intensive than the actual ritual body itself? Hmmm … that seems like an awful lots of work to set up proper ritual space for some quick and largely content-free seasonal celebration, and maybe some cord magick thrown in for good measure. Ever wonder what’s missing?
Food for thought.

Program for the Witches’ Sabbat at Raven’s Knoll 2014

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ws2014 Collage

Theme: Ancestors – Ancient Flame on Modern Hearth

Stang: Mighty Dead Stang/Distaff

Herb: Bog Myrtle aka Sweet Gale

Date: May 30 – June 1

Location: Raven’s Knoll Campground

Website: http://walkingthehedge.net/witchessabbat

Facebook Event Page: Click here!

Fee: $60 at the door, $55 for pre-regisration. Click here for more info.

Events will be announced a few minutes before they begin by the ringing of a bell to gather the folk.

 

FRIDAY

 

* Registration opens around 3pm. If someone isn’t in the registration hut, you’ll find at least one staff member in the standing stone grove. If you need help setting up your campsite, or finding anything, please do not be afraid to approach a staff member either at the registration hut or at the grove.

 

* 7 PM: Opening Ritual. (Lead by Juni and Angela)

 Gather in the standing stone grove to begin. We will visit gnome home to greet, meet and gift the land spirits of Raven’s Knoll. Then we will open the outdoor temple before the standing stone followed by blessing the keystone fire pit. This is also a chance to meet the staff and learn a little about Raven’s Knoll.

 Please bring an offering for the land spirits. Ideas: beer, shiny trinkets, little gnomes.

 

** 8 – 9 PM: Break for dinner and time for people to finish setting up camp.

 

* 9 PM to bedtime: Bardic Circle (Lead by Gypsy) & Opening Ritual Continued (Lead by Juni, Angela & Judith)

 Gather around the keyhole fire pit to get to know each other better. Witchcraft is an oral tradition, as such; we will tell stories (personal or fiction), share poems, sing songs and get to know each other. This is a bardic circle, not a competition. Feel free to share regardless of your level of bardic skills, reading from paper or electronic device is fine.
During this time, Juniper and Angela will be quietly taking folks away from the fire in pairs and small groups to visit the Crone at the Threshold. In exchange for a small gift, you will receive a little nugget of wisdom from the ancestors, as well as a package to take back to the group. Once everyone has returned from their little journey, we will open the packages together before bringing them to the outdoor temple. Then we will continue to hang out around the fire until bed time.

 Please bring a small gift for the Crone. Ideas: Coins, flowers, a small handmade item.

 

SATURDAY

 

* 10:30 AM: Preparing the stone soup.

Please bring your contribution. There will be a soup coordinator to track which ingredients go into which pot. Please let them know of any food allergies and confirm with them before adding to the pot. Ingredients will be listed on the whiteboard. We will have at least one vegetarian and one meat soup.

 

** 11 – 6 PM: Workshops and discussion circle, with casual breaks between. As well as the eating of the stone soup and other goodies.

* Working with Bones. (Lead by Juniper)

The cleaning of a skull. Scraping the hair/hide, digging out and cutting the flesh, simmering in a pot for a couple of hours. Discussions on bone work, funerary rites, tools used, methods of cleaning, reddening, use as a spirit houses etc. Then we will pull out an already fully cleaned and ready-to -work skull and perform a reddening/blessing. We will break to attend other discussions while the skull simmers. Once the skull has simmered and is ready (about 2-3 hours), we go back to it to strain, finish cleaning (as much as time permits) and placing it into a de-greasing bath or cold maceration bath, depending on how clean we manage to get it.

 

* Practical Tips for the Modern Witch: (Lead by Angela)

What do you do with dead matches in the middle of ritual? What‘s the best way to prevent your wild crafted herbs from going mouldy? And how do you get that unfortunate stain out of your favourite altar cloth? Let‘s face it: while how- to books are great, there are often critical points that they don‘t cover; points that you discover about the time you‘re up to your elbows in a plant that‘s starting to cause an unfortunate burning sensation, or 30 minutes into that critical ritual. If you‘ve ever had one of your Witchy plans go awry, this is the place for you! Come and share you horror stories and the things you’ve learned the hard way.

 

* All about Bog Myrtle: (Lead by Angela & Juniper)
Our herb of choice for 2014: the dreamy Bog Myrtle, Myrica gale, also known as Sweet Gale. How we will be partaking of it for the Sabbat, what can be expected, medical stuff, different ways you can utilize it, where it grows etc. The Bog Myrtle we will be using was hand picked by canoe along the river, just a short trip from the Knoll. We will have a few options for taking the herb; bundles, tea, tinctures.

 

* Ancestor Discussion: (Lead by Juniper & Angela)
We shall talk about how we work with the ancestors, how different traditions view the dead, how to build a relationship with them and so forth. Also we will discuss the cunning woman who will be our focus and guest for the tapping the bone ritual.

 

* 4 PM: Divination and the Ancestors. (Lead by Judith)
A discussion on using divination methods for working with the dead. How we are all connected by the deep ancestors. Judith will demonstrate using her special ogham deck. Juniper will bring along her casting collection. Please feel free to bring your divination sets, as well as share any experiences or questions you have about spirit communication through divination.

 

* 5 PM: Ritual discussion and ploughing the furrow meditation. (Lead by Juniper & Angela)
We will go over what can be expected for the main ritual, while avoiding spoilers. As well as discuss the ploughing of the furrow, aka treading the mill, etc. Followed by a guided mediation based on how it will be for the main ritual.

 

** 6 – 8 PM: Free time to socialize, have dinner and do as you please.

 

* 8 PM: Construction of the stang.

Together we will assemble the stang and bless it. We will also choose our stang bearer.

Gypsy and Nic will be gathering food and items for the main ritual, so if there is something you do not wish to carry during the processional, they will collect it at this time and take it to the Crop Circle.

 

* 9 PM: Main Ritual

 We will process the stang to the crop circle and together perform a tapping the bone ritual. We will process the stang to the grove, invite our ancestors to celebrate with us. We will call, pay respects to and then ask for wisdom from a cunning woman of old.
Please bring an offering for the cunning woman. Ideas: Milk, honey, beer, hand crafted items.

 

* 11 PM to bedtime: Folk Fire

 Gather back around the keyhole fire in the standing stone grove to hang out.

 

SUNDAY

 

* 11 AM – The Nine Herbs Charm: (Lead by Erik)

 The Nine Herbs Charm is an Anglo-Saxon charm recorded in the 10th century Lacnunga manuscript. Erik will lead us through a well researched discussion of the charm, it’s history, the herbs used as well as how and why it was performed. Juniper and Angela will come armed with other folk charms, from different cultures and time periods, for comparison.

 

* 1 PM – Closing Ritual: (Lead by Juniper & Angela)
Gather in the standing stone grove to begin. We will visit gnome home to thank and farewell the land spirits of Raven’s Knoll. Then we will close the outdoor temple before the standing stone and give a final gift of thanks to the ancestors. Completely optional offerings for the land spirits and the ancestors, bring if you wish, we will make sure they don’t go empty handed.

 

* 3 PM – Discussion and planning circle.
Here we discuss what worked, what can be improved as well as choose our theme and herb for next year. It is totally optional to attend this discussion, we understand some people have far to travel home and need to leave earlier. You can always share your ideas and suggestions on the Facebook group later.

 

** Time to pack up and head home.

To Answer a Question: The Return Trip

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Greetings from Texas! Hope all is well up North!

I’ve recently begun down a seidr shamanistic path involving trance work and journeying. I’ve been ravenous for information and combing in the interwebs for relevant blogs, texts, articles, etc. and came across your website. I was reading your post, “Defense Against the Dark Arts,” which I very much enjoyed having had similar experiences. I was particularly interested upon reading this,

“Most of the books out there that talk about things like (for example) receiving the call to shamanize, will mention that many become ill but don’t typically mention how. What kind of illness. It’s kind of vague.”

I was wondering if you had anything more specific regarding the illness associated with the call to shamanism. I haven’t been experiencing anything traumatic, but when I go into a trance or journey I’ve been experiencing physiological responses. At first I thought the nausea and dizziness were due in part to the way I was sitting, but I’ve adjusted that and it hasn’t gone away. I had thought there might be some physiological responses to the journeys, I wasn’t quite sure what, but I didn’t think they’d be negative so I’m a little worried I might be doing something wrong. Anything helps!

Thank you for reading this, by the way.

 

Hullo!

little bit of nausea, light headedness, headaches and dizziness are pretty common after trance and altered states. Even among experienced practitioners. This is sort of like being out of breath after going for a jog. Or you can think of as a reconnecting thing. It can take some time to get yourself sorted out. There are a few things you can do to help decrease how often this happens, or cut down the length of time it lasts. (In no particular order)

* You are already trying different postures, so that’s a good start.

* Take more time on the return trip. The faster you come back, the quicker you try to leave an altered state, the harder it is on you.

* Work on slow and gentle body awareness once you return. Relax you muscles. Stroke your body. Spend more time feeling your breathing and heartbeat. even do a few gentle yoga stretches.

* Have some juice on hand to help bring your blood sugar back up and to hydrate yourself.

* Take shorter trips. If you are using a timer of any sort (such as a drumming CD or having a gentle chime on your phone set to go off after X amount of time) set it for a little earlier.

If the symptoms are very severe, it’s possible that you are experiencing “soul loss” … basically leaving a little bit of yourself behind each time. This is generally a result of traveling too far, too fast and/or making a hasty return trip. If you worry this might the case, retrace your steps and see if you come across anything that you recognize are yours or yourself. Gather the bits back up again (after a thorough inspection) and put them back where they belong. (You can always swallow them if you’re not sure where they go)

Take more time on your return trips and do a “all of me is here” check. Think of it as like checking your purse before you go out. Keys? Wallet? Phone? Jacket? Give yourself a pat down, do an inventory. Is anything feeling a little off, feel like you might have forgotten something? Retrace your steps and see if anything got dropped along the way.

Also if this is happening a lot, you are probably going further than you are really ready for. Like going for a big long hike through a thick forest, the deeper you go in, the more little scratches and bug bites you get along the way (leaving behind little bits of blood, sweat and skin). Eventually, as you become a better hiker, you will learn how to walk through a forest and get hit in the face by trees less, how to get cut by thorns less and how to avoid areas with lots of bugs, or what the the best bug repellent is. So if this is an issue, stick closer to home base. Get to know that area really well as you build up your skills before venturing much further. I hope this helps!

Also do you mind if I post this on the blog (I won’t use your name) Cheers, Juni

 

Thank you so much for your email!

I really appreciate getting a response about things. After reading your suggestions, I definitely think I may be going too deep too soon and returning too quickly. I’ve been so excited about the journeys I may be pushing myself too hard and leaving things too quickly so I can write. That’s a problem I have in all aspects of my life; rushing. Oh! And I don’t mind at all if you post this on your blog. It’s been really helpful for me, so hopefully this could benefit someone else.

Thanks!


Building a Personal Divination System: Helpful Links

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Witches’ Sabbat at Raven’s Knoll 2014 Follow Up

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Working with Bones

Recipe for New Flesh

Cleaning and Preserving Animal Skulls

How to Clean a Skull

Cleaning Animal Skulls

Cleaning Skulls and Skeletons by maceration

Reddening the Bones

Reddening the Bone: Awakening the Spirit

Dem Bones: Skulls and Bones in Magic & Ritual

Spirits Craft, The Skull in Witchcraft and Ritual

Cecil Williamson – Occult Fetishes

 

Rituals

Example: A Lead Ploughing the Furrow

A Beginners Laying the Hedge

Episode 38 – The Spirits of the Land

Episode 16 – Sacred Space / The Great Crossroads

Diagram of The Great Crossroads

Episode 25 – The Red Meal

Episode 24 – Treading the Mill

The Red Meal, or the “Sacrament of Bread and Wine”

The Crooked Path Video Podcast – Episode 2

Directions and Elements Discussion

The Six Ways Discussion

Ancestral Land Discussion

Just a Few Notes on the Stang

On Circle Casting and the World Tree

Classic Crooked Path Episode 8 – Treading the Mill

American Folkloric Witchcraft: Treading the Mill

Compass and Rose

American Folkloric Witchcraft: Laying the Compass

Laying the Compass vs Casting a Circle
Example: Compass Rose/Sacred Landscape

IT IS DRAWN A-RIGHT: Conceptualizing the Compass in Traditional Witchcraft

laying the compass | In The Chimehours

 

 Ancestors

Episode 40 – Pathworking to Meet the Ancestors of Men-who-love-men

Episode 39 – Honoring the Dead

The Mighty Dead, the Beloved Dead and Us

Matrons and Disir:The Heathen Tribal Mothers

Crooked Path Pagan Podcast Episode 012

Episode 17 – Ancestors | New World Witchery

Blog Post 165 – Dem Bones, part I | New World Witchery

Blog Post 166 – Dem Bones, part II | New World Witchery

 

Other Goodies

What is a Hedgewitch?

Planting the World Tree (stang)

Witch/Pagan Resources – Walking The Crooked Path

Hedge-riding

A Brief History of the Term Hedgewitch

Blog Post 158 – The Doctrine of Signatures

Nine Herbs Charm

And…

An Exhaustive List of Books for the Advancing Witch

 

 

 

 

 

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